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鸿彩快三彩票東海林健建築事務所 Hara house

Hara house位于日本新??縣長岡市竹根村三点式,原名中島罪谁。這個村莊是傳統的日本鄉村風格外加因,在這里莊園是一個建築和農田的集合雪雪亲,它們彼此相互依存被吸走。這個村莊正面臨著與日本許多村莊同樣的問題︰農村衰落阶才行,新的獨立建築疊加在土地上一躬,造成居民之間越來越大的隔離207201。
Hara house is located in the agricultural village ofTsurugasone, formerly known as Nakanoshima, in Nagaoka city, Niigataprefecture. The village is in the conventional Japanese village style wherein,a single estate contains an assemblage of buildings and farmland, that areinter-dependent on each other. This village is facing the same problems thatmany of Japan’s villages are facing; a rural decline, where new self-containedbuildings superimpose themselves onto the land and create a larger and largerseparation between the residents.

Hara house是房子的屋主從家庭中繼承來的它迈进,房子功能結構已經被劃分得非常清楚点懒,如主要的家庭住房罗三炮,工作棚网上,停車場和一個溫室漆黑上。因此合著,在這種情況下晓盗多,設計方向是創建一個建築叫善良,振興現有的建築功能令小舞,並盡可能的添加新的功能以適應房主的新需求版。
Eventually, the clients will inherit their large family estatewhich similarly, already has many built structure upon it such as the mainfamily house, a work shed, parking area and a green house. Thus in thissetting, our design direction was to create a building that revitalizes thestructures already present onsite and have the potential to adapt to newfunctions as the need or mood arises.

Thus, giving consideration to the functions onsite, such as amain family house, storage areas and private rooms; most functions that arerequired in a fully self-reliant house were already present onsite, thus weplanned a house where the couple and their children can live in one corner ofthe large estate and just spend time when the mood strikes.

Instead of designing a conventional fully self-reliant building,we aspired to create a buoyant and bustling hub. We designed a space wherepassing neighbors, friends and children can easily stop by to chit chat underthe entrance porch, or workshop meetings and events hosted in the space canspill out to the land. Thus bringing down the threshold of the house andopening it to the village. Thereby extending the building envelope to create alarger semi-public space.

We started our design from conceptualizing a small building asan ‘incomplete’ remote extension of the main house. The building is not fullyself sufficient and thus draws from its setting and relies on the surroundingbuildings to fully function and even engages the village to create a thrivingcommunity.

The building emulates its surrounding, which has many vinylhouses and work sheds, and uses 120mm square timber members, to create a simpleseries of ‘A frame’ trusses. This structure creates an image of a large tent; astiff yet giving structure which assimilates all the human behaviors. Storage,partitions and private rooms have been removed, as much as possible, tosimulate one large open space that adapts to the user’s needs. In thissituation, one cannot help but rely on the support of the other buildingsaround it, thus jutting out of the building envelope and prompting the use ofthe existing architecture. The aim was to create a way of life that is nevercomplete within just this one structure, it is a piece of the greaterarchitecture; a house that is part of a group of buildings.

This vacuum in function encourages the users to invent creativeways to utilize the space; it encourages the ‘use’ of the building rather than justbeing a house you ‘enter’. This ‘house of incompleteness’ is envisioned tobecome a ‘strong absorber’, as the blank space invites people and events of thevillage to utilize it; thus the house becomes part of the greater architectureof the village.

By establishing this type of architecture, with its insufficiencyand blank space, a building is born that establishes itself in the village asan attraction of interest and activity. This singular building crosses itsthreshold to interact beyond, just the family, to the village and slowlydissolves boundaries and creates the possibility of forming new connections andbeginning the creation of a new, strong-knit community.

Someday, the couple will move into their main family house, andthis house will be passed onto the eldest son to use with his family, thesecond son will renovate the work shed and practice agriculture, and theleftover extra space will be used by interns from overseas who have come tostudy agriculture.

當人們在遙遠的將來思考這些可能性時楼高猛,就會想到如何設計一個連接未來卧底、周圍建築狂天、農業社區和整個村莊的連接说算。因此‘爱意,Hara house作為一個簡單的“桁架框架系列”他格,旨在通過成為村莊集體形式的一部分來連接所有這些實體几代享。它加固了舊建築任命,並與周圍的建築和社區建立了新的聯系去记我。
When thinking about such possibilities in the distant future,thoughts arise about how to design a connection that ties the future, itssurrounding buildings, the agricultural community and the village as a whole. Thus,Hara house, as a simple ‘series of truss frames’, aims to connect all theseentities, by being part of the collective form of the village. It reinforcesold and creates new connections with its surrounding buildings and community.

Hara house是一個“小房子”的提議任务方,它展示了一個新的“村莊管理系統”比试自,是一種加強環境交流與聯系聊天总,振興村莊的新方法去接你。
Hara house is a proposal of a ‘small house’ that shows a new‘management system of a village’; a way to revitalize villages that wereformerly a collection of strong interconnections.

項目建築師︰Takayuki Shimada(東海林建築事務所)
結構設計︰Tetsuya Tanaka(Tetsuya Tanaka結構工程師)
圖片版權 ︰?Isamu Murai
Principal use ︰Private Residence
Ttal floor area ︰166.24(carport)
Structure︰ Wood
Location ︰Tsurugasone, Nagaoka-city
Project architect ︰Takayuki Shimada(Takeru ShojiArchitecuts.)
Structural design︰ Tetsuya Tanaka(TetsuyaTanaka Structural Engineers)
Photograph ︰?Isamu Murai


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