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鸿彩快三彩票ASR, AAarchitects IIA Atelier 沈陽紅梅文創園

本帖最後由 趙立嬌 于 2020-11-26 04:41 編輯

沈陽紅梅文創園/Red Plum Culture and Creative Park


1.設計背景
1.Design Background

在90年代之前人计较,東北是全國城市人口比例最高的地方身强大,這里更早地擁有了真正的城市文化感情上。
工廠不僅構建了東北人的生活静立,還構建了東北人的文化分秒。老工廠廠房改造項目的設計要從時代大背景談起张本,要從產業的迭代革命談起成护卫,紅梅文創園的誕生要從城市談起拉近我。
Before the 1990s, northeast China had the largest urban population in China, and since then the area has formed its own urban culture much earlier than other areas. Factories not only construct the daily life of the people living there, but also construct the culture. The design of factory renovation should first begin with the iteration revolution of industries, and to talk about the birth of Red Plum Culture and Creative Park, we need to first talk about the city.

改造中場景/Scene in transformation



紅梅味精廠老照片/Old photos of Red Plum MSG




鐵西區因位于長大鐵路西側而得名少人口,東西向與南北向的鐵路彼此交錯自己睡,四角閉合成的不規則方形就是沈陽鐵西區没下去。紅梅味精廠是鐵西眾多工廠之一男生里,歷史可追溯到1939年,經歷歷代的更迭马背上,建築的風格非常豐富胜任。紅梅味精廠擁有工業廠房13處捧本书,初期建築作為主要的生產廠赵灵儿,記錄著工廠向文化創意園業態轉型的歷史價值人前方。
Tie’xi district is located in the west side of Chang-Da railway, where the east and west railways intersect and so do the south and north ones. The closed quadrangle formed by that is Tie’xi district in Shenyang. Red Plum MSG factory, with 13 industrial plants, was one of the many factories in Tie’xi, and its history goes back to 1939. Its different architectural styles together with early building as main plant have recorded the historic values transforming from a factory to a culture and creative park.

紅梅味精廠老照片/Old photos of Red Plum MSG


工人廠房工作場景/Working scene of workers' Workshop


紅梅味精宣傳圖/Publicity map of red plum monosodium glutamate


2.設計策略
2.Design Strategy

創意園內的4棟建築尺度不一天才才,破損程度不同本门,呈現出多樣有趣的空間我练级。建築之間的序列完整的保留了工廠原有的生產流線里闲闲,原料從鐵軌運進廠都挥,站台卸貨到原料庫时候醒,再取樣到研究所化驗共七根,到發酵廠房發酵大陆都,再到提純車間提純紧拉。
The 4 buildings in the Park are in different sizes and damage levels, showing an interesting diversity in space. The layout of the buildings reflects the original production lines intact, where raw materials coming into the factory from the railway, unloading on the platform and entering the warehouse, samples picked up and sent to lab for test, materials fermented in fermentation plant and at last purified in refinement workshop.

工廠生產流線圖示/Factory production flow chart



設計從整理場地關系和建築關系開始佳绩,將新的文化功能植入舊有建築怕寂寞,將破損的建築修復加固及清理一泡尿,煥然一新後對大眾開放独眼。
The design starts with the relation between the park and the buildings. It brings new culture functions into the old buildings, repairs, solidifies and cleans the damaged buildings, and re-open the park to public.

1號樓 原料庫的“六折山牆”代表著當年大量儲存原料的空間能力我脚扭,代表著生產力可观地。原料的儲存代表了產量能力安顿下,象征著能量地几种,位于整個廠區的東南角都沉默,緊鄰街道眼里谁。Livehouse級的大型演出場所植入于1號樓回礼,吸引文化新能量断点,聚攏人流,開啟一場豐富多彩的文化之旅抛下你。
The six-folding gable of the raw material warehouse in Building 1 represents the large storage capacity of raw materials back in those years, which also represents great productive force. The storage of raw materials symbolizes yield capacity and power. The building stands in the southeast corner of the park, adjacent to the streets. Building 1 is to host large live-house performance, to attract new culture, to gather crowd and to embark on a colorful cultural trip.

1號樓分析圖/Analysis of Building 1


1號樓建築場景圖/Construction scene of Building 1












2號樓 是四棟建築中體量最小的驶车,卻是在進行著生產中最重要的環節屑于,在這里產生的試驗數據輸出給各個生產車間拣便宜,指導生產绯红。同時派都,東立面面對園區主入口飘出句,南立面面向園區綠地廣場小三她,北立面面向園區主干道皇牌。東症状忽,南笼罩过,北右脚猛,三個立面都起到不同的餃接和對話作用游戏直。南立面由于嚴重破損下做出,設計在恢復原立面尺度的同時擴大入口我想晕,向城市和綠地廣場充分展示建築的開放性和包容性香喷喷。設計保留了本建築的輸出功能代表冲,定位為文創品商店动怒。采用豎向u玻材料示爱,再現原有煙囪的高度.半透明的乳白色和夜光帶來的照明效果但娃娃,使它成為一座標志性的信號塔主力,一旦進入公園败仗,任何人都不會錯過被侮辱。
Building 2 is the smallest one among the four buildings, but it is the most important link in the production process. From there, the test data would be sent to each workshop as the guide for production. In the meantime, its east facade faces the main entrance of the park, while the south fa?ade faces the greenbelt mall and the north the main road. The facades on those three sides are linked and connected. The south facade is severely damaged, so the design restores the original dimension and expands the entrance, fully displaying the openness and tolerance of building to the city. The design keeps the building’s output function and builds it as a cultural and creative market. Adopting vertical U-shaped glass, the height of the original chimney reappears. With semi-transparent milky whiteness and the illuminating effect brought by night lights, it has become an iconic signal tower that no one would miss once entering the park.

2號樓分析圖/Analysis of Building 2


2號樓建築場景圖/Construction scene of Building 2




12號樓 與其他幾棟比起來在園區內並不顯眼前被整,但是它的內部空間豐富多彩柳林中,層高變化格外有趣被牵累。業主希望在這里做一個融合辦公與展示等功能的創意書店-紅梅書店栈。讀書咖啡果周围,開放式辦公月夜寻,小型展示和發布的多用空間NPC可,分別從一層隨層高的變化逐層布置很冒险,動線也是從動到靜东这样。北立面面向園區主干道和體育廣場怕都,將書架意向的立面設計融入一層的立面設計杀他脏,向經過的人群提示這座樓的功能十几岁,吸引四周的住民和更多的人流动气。
Compared with other buildings, Building 12 is not so remarkable. But its internal space is colorful, and different floor heights are extremely interesting. Owner would love to make this building as a creative bookshop named Red Plum Bookstore, combining office and showcase functions. It is a multi-functional space for reading, drinking coffee, open-space office, small-scale show and product release. Arrangement starts form the 1st floor and unfolds as the floor height varies, and the circulation goes from motion to stillness. The bookshelves are standing on the north side, where it faces the main road and sports square in the park, purposely to indicate the function of the building to the passers-by and attract more people to visit.

12號樓建築場景圖/Construction scene of Building 12


16號樓 是故事最多的一棟樓接近一,也是體量適中的一棟连续获,是整個園區的中心过程才。一個回游式美術館是16號歸宿的最美之處拔尖。原有廠房為放置大型設備在樓板上開了很多大洞23天,改造時選擇性的將原有洞的形態保留算太,用玻璃樓板代替莫名。16號樓三聯拱部分體現了當時工廠廠房的建造工藝他达,是結構美和空間美結合的經典动动嘴,也是改造後美術館的大型展廳所在乘虚。
Building 16 has the most stories to tell. It is in medium size and located in the center of the Park. A migrating-like gallery is the best new home for the building. In order to put large equipment, there were lots of openings in the floor slabs. The renovation selectively keeps the shape of the original openings and replaces with glass floor slabs. The triplet arch in the building shows the craftmanship of the plant construction back then. It is a classic combination of structural and space beauty, and a place renovated for large exhibition halls of a gallery.


2號樓分析圖/Analysis of Building 2




16號樓建築場景圖/Construction scene of Building 16
















新設2樓到3樓的坡道透過面向園區主要道路的立面玻璃和園區內的其他建築及活動進行對話反正天。三聯拱部分保留了兩個原有的發酵罐設備冷哧,永久的紀念著在這個空間中曾經如火如荼的大生產時代上一坐。
Through glass facade facing the main road, the ramp connecting the new building 2 and 3 communicates with other buildings and activities in the park. The triplet arch keeps part of the original two fermentation tanks, in memory of the vigorous production era that once took place in this space.

保留下的發酵罐設備/Reserved fermentor equipment








文創園作為文化創意產業的聚集地是城市更新的一部分玉天恒。時代發展王阴寒,世紀更替他压抑,產業不斷進步革命很利落。近30年來隨著新的生產方式和生產力的出現幻斗罗,舊的生產方式下建造的廠房及附屬空間也需要不斷的更新质温,需要適應新的生產關系下所需要的功能日。
As the gathering place of cultural creative industry, the Culture and Creative Park is part of the updates in the city. Time flies, a century has passed, and industries are constantly improving and updating. In the past 30 years with the new production methods and forces coming up, those factories and affiliates built by old production force need to be updated constantly, adapting to all the functions required by the new productive relations.

#1東立面圖/#1 east elevation

#1北立面圖/#1 north elevation

#1平面圖/#1 plan

#1剖面圖/#1 profile

#2平面圖/#2 plan

#2細節圖/#2 detail

#2立面圖/#2 elevation

#12平面圖/#12 plan

#12剖面圖/#12 profile

#12立面圖/#12 elevation

#16平面圖/#16 plan

#16北立面圖/#16 north elevation

#16剖面圖/#16 profile

總體規劃圖/masterplan_tie




信息
項目名稱: 沈陽紅梅文創園
項目類型︰舊工廠改造
項目地點︰中國遼寧省沈陽市鐵西區衛工北街44號
建築設計︰AAarchitects + IIA Atelier (二期)
ASR Architectural Design Co., Ltd.(一期)
主創建築師: Hiroshi Aoki, Yoshiko Sato
設計團隊︰
(AAarchitects) Hiroshi Aoki, Toru Uno, Ko Oono, Sayantan Chakraborty, Ewa Scroczynska;
(IIA Atelier)Yoshiko.sato, Naoki Sato, Yue Chen, Xingpeng Wang,Xu Wujian
設計時間︰2018年12月- 2019年9月
設計周期︰10個月
項目完成年份︰2020年
建築面積︰(平方米)14489.71
#1︰8031.63
#2︰568.84
#12: 1780.8
#16︰4108.44
攝影師︰上海洛唐(建築)攝影有限公司情佑无,繁璽視覺
業主單位︰沈陽三體投資有限公司
結構設計顧問︰袁鑫
業主設計團隊 ︰孫明君 李苑婷 李岳霖 王成奇 李星誼 楊思儀 付童 孫偉
施工圖設計(建築都被人、結構我缩、設備静静、室內这融合、景觀)︰沈陽新大陸建築設計有限公司
室內方案設計(#1整座城、#16):廣州杜文彪設計
室內方案設計(#2):東京如是建築設計事務所
室內方案設計(#12): 紅梅書坊
景觀設計︰德國拉茨與合伙人景觀規劃事務所 & 沈陽綠野建築景觀環境設計有限公司
照明設計︰瑞國際照明設計
幕牆設計︰上海嘉春裝飾設計工程有限公司 & 晶瓷玻璃科技(上海)有限公司
施工單位︰沈陽建業建築工程有限公司

INFORMATION
Project name: Red Plum Culture and Creative Park
Category: Re - use
Project location: 44 Weigong North Street, Tiexi District, Shenyang City, Liaoning Province, China
Architect’ Firm: AAarchitects & IIA Atelier (Phase Ⅱ)
ASR Architectural Design Co., Ltd.(Phase Ⅰ)
Lead Architects: Hiroshi Aoki, Yoshiko Sato
Design Team:
(AAarchitects) Hiroshi Aoki, Toru Uno, Ko Oono, Sayantan Chakraborty, Ewa Scroczynska;
(IIA Atelier)Yoshiko.sato, Naoki Sato, Yue Chen, Xingpeng Wang,Xu Wujian
Design time: 2018.12 - 2019.09
Design cycle: 10 month
Completion Year: 2020Gross Built Area (square meters): 14489.71
#1︰8031.63
#2︰568.84
#12: 1780.8
#16︰4108.44
Photo credits: LOTAN Architectural Photography & Fancy Images
Clint: Shenyang Santi Investment Co,. Ltd.
Structural Design Consultant ︰XinYuan
Owner’s Design Team: Mingjun Shun清双方、Yuanting Li实力既、Yuelin Li双媚眼、Chengqi Wang些纨绔、Xingyi Li浩、Siyi Yang要长大、Tong Fu说过要、Wei Sun
Construction Drawing Design(Architecture, structure, equipment, interior, landscape):N.W.ARCHITECTURE DESIGNCO.,LTD.
Interior Design(#1否易主、#16):GUANGZHOU BILL DO DESIGN
Interior Design(#2):IIA Atelier
Interior Design (#12):Red Plum bookshop
Landscape Design: LATZ+PARTNER & Shenyang Lvye Landscape Environment Design Co. LTD
Lighting Design︰ RDESIGN INTERNATIONAL LIGHTING
Curtain Wall Design:Shanghai Jiachun Decoration Design Engineering Co., LTD& Alitglas Project Co.,Ltd
Construction Company:Shenyang Jianye Construction Engineering Co. LTD

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